The Flower Lady, #1
The Jerky Tapes (Album 6)
Title: The Flower Lady #1
Characters: Sol Rosenberg
Summary:
“Flower Lady 1” features Sol Rosenberg at his most awkward and unpredictable. A simple conversation about flowers turns into a confusing and hilarious exchange. The humor builds through hesitation and miscommunication. It captures the subtle, unscripted style that made the Jerky Boys famous. Fans love it for its originality and slow-building comedy. A standout piece of classic prank call history.
Transcript:
0:01 Voice 1: “Hello. Hello.”
0:03 Deborah: “Hello. I called…”
0:04 Voice 1: “Miss, can you hang on. Hang on.”
0:06 Deborah: “Yes, I can hang on. I don’t have the [Inaudible 00:08].”
0:09 Background noise
0:21 Voice not clear
0:22 Deborah: “Hello.”
0:23 Voice not clear
0:25 Voice 1: “Hello.”
0:26 Deborah: “Hello.”
0:27 Voice 1: “Please hold.”
0:31 Background noise
0:41 Voice not clear
0:44 Voice 1: “Hello.”
0:45 Deborah: “Yes, hello. I want…”
0:46 Voice 1: “They’re doing some work on my apartment. Can… just one second more.”
0:49 Deborah: “Is this Harry?”
0:50 Voice 1: “I’m sorry. Just one…”
0:51 Deborah: “Hello. Is this Harry?”
0:52 Voice 1: “One second… one second.”
0:56 Background noise
1:07 Voice 1: “Hello.”
1:07 Deborah: “Hello.”
1:09 Voice 1: “Hello.”
1:10 Deborah: “I don’t understand. I was calling for Harry Getzov.”
1:12 Voice 1: “Yes, he’s here. Hold one second please.”
1:17 Background noise
1:21 Phone rings..
1:23 Deborah: “I’m trying to… I don’t… he asked me to send the contract and I don’t know. Hello.”
1:26 Phone rings..
1:28 Deborah: “Hello.”
1:28 Scott: “Hello.”
1:29 Deborah: “Hello.”
1:30 Scott: “Hello.”
1:33 Background noise
1:35 Scott: “Hello. Crazy world!”
1:38 Deborah: “Hello.”
1:41 Voice 1: “Hello.”
1:41 Deborah: “Yeah. I’m call…”
1:43 Scott: “Hello.”
1:44 Deborah: “Who is this please?”
1:45 Background noise
1:49 Voice 1: “Hello.”
1:51 Deborah: “Yeah, I’m calling from [Inaudible 01:52] Floral Design. I was calling for… hello?”
1:54 Voice 3: “Who is this?’
1:51 Voice 1: “Yes, go ahead.”
1:59 Deborah: “Who am I speaking with please? I don’t… I don’t need to be rude, but I called before. It’s busy. I am calling for Harry Getzov.”
2:05 Voice 4: “Who do you think you are speaking like that?”
2:07 Deborah: “I’m not… I [Inaudible 02:10]… I’m calling for Harry Getzov. I was calling to fax him over a contract.”
2:17 Voice 1: “Well, his… his… his son Scott is on the line.”
2:22 Deborah: “Whose son?”
2:23 Voice 1: “Scott will help you.”
2:25 Deborah: “I don’t think you understand. I am calling to fax him over, but I don’t understand [Inaudible 02:29].”
2:29 Scott: “What’s the fax about?”
2:30 Deborah: “Do I have the right number?”
2:33 Voice 1: “Scott.”
2:34 Deborah: “Who’s…?”
2:35 Scott: “Well, how can I help you?”
2:37 Deborah: “I’m… I was… I’m calling, but they… I’m calling because he asked me to call him back about the flowers and so I’m doing that and I would just like to speak to Harry.”
2:48 Voice 1: “Hello.”
2:49 Voice 4: “Yeah. What do you mean by that?”
2:52 Deborah: “By what?”
2:52 Voice 4: “Harry’s been dead for weeks. You insensitive person!”
2:56 Deborah: “Uh, thank you. Hello.”
2:59 Voice 1: “Scott, his son, will help you.”
3:01 Deborah: “Oh, hello.”
3.03 Scott: “Hello.”
3:04 Deborah: “I didn’t realize he was… shit.. hi, I… who is this?”
3:10 Scott: “This is Scott.”
3:12 Deborah: “I’m calling from [Inaudible 03:13] Floral Design. I was told to call Harry Getzov.”
3:17 Scott: “Okay. Well… well, he can’t help you right now. He can’t help you.”
3:21 Deborah: “Who…”
3:21 Scott: “You have to speak to this other guy. There’s other people that take care of that now. Harry’s not around.”
3:27 Voice 3: “Yes, hello.”
3:30 The mortician: “Hello.”
3:31 Deborah: “Hello.”
3:32 The mortician: “Eh… well, didn’t… did you not hear about Harry?”
3:36 Deborah: “No, I didn’t.”
3:37 The mortician: “Oh my! It was horrible. He was… he was flying a kite and lightening hit the kite and… oh my goodness!”
3:46 Deborah: “That’s terrible. How is his fiancée? Is she there? Can I speak to the fiancée?”
3:50 The mortician: “Who… who do you…? It was terrible…”
3:52 Deborah: “[Inaudible 03:52]… who am I speaking…”
3:52 The mortician: “But Scott, his son, will speak to you.”
3:54 Deborah: “Hello. Who am I speaking to please?”
3:57 The mortician: “Scott, his son, will handle you.”
3:58 Deborah: “Oh, [Inaudible 03:59].”
4:00 Scott: “You’re from Floral Design?”
4:02 Deborah: “[Inaudible 04:02]… hello.”
4:03 Scott: “That what you said, Floral Design?”
4:03 Deborah: “Hello. Yeah, this Deborah [Inaudible 04.05]stein. I was calling [Inaudible 04:06] to speak to Harry. I… and is his fiancée there please?”
4:10 Scott: “No, she’s… she’s not here right now. She’s not able to speak.”
4:13 Deborah: “Oh! Then… can I leave a message then?”
4:16 The mortician: “Hello.”
4:16 Deborah: “How terrible! I didn’t…”
4:18 The mortician: “Hello.”
4:19 Deborah: “Yeah.”
4:19 Scott: “Hey, take this message.”
4:21 Deborah: “Should I give my number for…”
4:22 The mortician: “He’s flying a kite and the lightening hit the kite… I’m… uh… de… I had to [Inaudible 04:27] him out…”
4:22 Deborah: “[Inaudible 04:22].”
4:28 The mortician: “…and everything to look good in front of people.”
4:30 Deborah: “There was so much rain. Was it from that? That’s so horrible.”
4:33 The mortician: “Yes, he got one nice… he… for some reason, it possessed him to go out to fly kite and… and it… it electrified his chest, everything. It… I don’t understand why anyone would do that in the rain.”
4:46 Deborah: “[Inaudible 04:46] fiancée. I had talked to her before. Is it o… can I call her? Is it…”
4:50 The mortician: “But you… you can speak to his son Scott.”
4:53 Deborah: “Alright. I’ll speak to Scott.”
4:55 Scott: “Hi.”
4:56 Deborah: “Hi, is this Scott?”
4:57 Scott: “This is Scott. Hi, who is it please?”
4:58 Deborah: “Scott, it’s… this is Deb… I… I shouldn’t… I don’t know what to say? I… I… I guess I’ll call back. I’ll call for a…”
5:07 The mortician: “Hello.”
5:08 Deborah: “Yeah.”
5:09 The mortician: “Do you want… do you want to speak to his fiancée?”
5:11 Deborah: “Yeah. I… I… yeah, I would like to.”
5:13 The mortician: “But then you have to speak to his son Scott.”
5:17 Deborah: “I don’t understand. Maybe his nephew is over there and that’s because they’re putting me on [Inaudible 05:22]…”
5:26 The mortician: “Hello.”
5:27 Deborah: “Yeah.”
5:28 The mortician: “Hello.”
5:28 Deborah: “Okay, sir. I’m going to…”
5:30 The mortician: “Do you want to speak to his fiancée?”
5:31 Deborah: “Yeah. I don’t…”
5:32 The mortician: “But then you must speak to his son Scott.”
5:36 The mortician: “Hello.”
5:38 Deborah: “Hello.”
5:39 The mortician: “Mr. Scott.”
5:40 Deborah: “I don’t understand why…”
5:43 The mortician: “Miss… did you speak to Mr. Scott?”
5:45 Deborah: “I don’t know. I don’t… I don’t understand who Scott is. I know…”
5:48 The mortician: “Scott.”
5:50 Scott: “Yes.”
5:51 The mortician: “I… I believe this lady must speak to you to… to speak to…”
5:55 Deborah: “I don’t mean to be rude, but I was calling and I don’t understand quite frankly what’s going on. I… I just wanted to speak to…”
6:02 The mortician: “Mr. Scott will explain.”
6:05 Scott: “What’s the matter? Can I help you?”
6:08 The mortician: “[Inaudible 06:08].”
6:09 Deborah: “I’m going to call back, but you can call me. It’s Deborah [Inaudible 06:11]stein.”
6:12 The mortician: “Miss?”
6:12 Deborah: “Yeah.”
6:13 The mortician: “He was flying a kite.”
6:14 Deborah: “No, I heard you. I think it’s horrible that…”
6:16 The mortician: “The lightening did this. Took him in his ass and chest and he… I had to spend one day to fix him for the family.”
6:23 Deborah: “Who is this?”
6:24 The mortician: “I am the mortician.”
6:26 Deborah: “At his house?”
6:27 The mortician: “You see, he having it in his house.”
6:29 Deborah: “Okay. You know what? I’m going to call back and speak to the fiancée.”
6:32 The mortician: “But if you want to speak to fiancée, you must speak to his son Scott.”
6:35 Deborah: “I spoke to Scott. I don’t understand why…”
6:39 The mortician: “You… we need flowers.”
6:42 Scott: “Can I help you with something?”
6:42 Deborah: “I don’t under… yeah, hello.”
6:44 The mortician: “No, no miss, this… miss, I don’t know who de people on the phone… eh, we need flowers.”
6:51 Deborah: “Why, yeah I could do the funeral. I mean…”
6:54 The mortician: “But you… you… you must speak to his son Scott.”
6:58 Deborah: “Okay, I’ll do that, yeah.”
6:59 The mortician: “So, we want to dress him in flowers because we have… because of the kite, we think a Ben Franklin kind of thing would look good. You know, maybe if you could put flowers like a Ben Franklin wreath…”
7:10 Deborah: “[Inaudible 07:10]. You know what [Inaudible 07:11]… look, I will call back. I’ll speak to the fiancée…”
7:14 The mortician: “Oh, no. if you want to speak to fiancée, you must speak to his son Scott.”
7:18 Deborah: “But you know what? Let me… I’ll call you back. I’ll do this funeral. It’s fine. I’ll… I’ll call you back.”
7:23 The mortician: “No, but miss…”
7:24 Deborah: “Yes.”
7:25 The mortician: “His fiancée is here.”
7:27 Deborah: “You know I want to speak to the fiancée. I think…”
7:29 The mortician: “Okay, you want to speak to the fiancée?”
7:31 Deborah: “Yeah, I have… yeah.”
7:32 The mortician: “But in order to do that, you speak to his son Scott.”
7:35 Deborah: “Okay.”
7:37 The mortician: “Mr. Scott!”
7:38 Scott: “Yeah, I think the fiancée, she already arranged for flowers.”
7:38 Deborah: Okay, I… I’m going to call back.” I… I will call you back. I… I’m… I’m hanging up.”
7:44 Scott: “I’m not sure.” I think she may already…”
7:46 Background noise
7:55 Voice in the background: “[Inaudible 07:55]. No, don’t say it.”
7:58 Voices in the background
8:01 Phone rings..
Flower Lady 1 – A Classic Jerky Boys Prank Call
“Flower Lady 1” is a perfect example of how the Jerky Boys turned simple conversations into unforgettable comedy. Featuring the always-awkward Sol Rosenberg, this prank call delivers a slow-building exchange filled with confusion, hesitation, and perfectly timed humor.
This is classic Jerky Boys style, subtle, uncomfortable, and incredibly funny. It’s the kind of skit that proves why they remain true crank call legends.
What Happens in “Flower Lady 1”
The setup begins with what seems like a normal interaction involving flowers, but as soon as Sol Rosenberg starts talking, things quickly become strange.
His unsure tone and repetitive questioning create a conversation that feels both real and completely off-track. The humor builds through:
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Awkward pauses and hesitation
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Questions that lead nowhere
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Miscommunication that slowly escalates
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A character who doesn’t realize how confusing he sounds
This is what makes Jerky Boys prank calls so effective, they let the situation unfold naturally.
The Sol Rosenberg Effect
Sol Rosenberg brings a completely different energy compared to other characters from classic comedy albums. Instead of loud or aggressive humor, his style is quiet, awkward, and unpredictable.
What makes his performance stand out:
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Nervous delivery that feels authentic
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Repetition that builds comedic tension
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Conversations that drift into absurd territory
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A personality that feels oddly believable
This unique approach helped turn simple recordings into timeless comedy collectibles.
Why Fans Love This
“Flower Lady 1” continues to be a fan favorite because it captures a different side of Jerky Boys humor:
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It builds slowly but delivers strong payoff
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The awkwardness feels real, not forced
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Sol Rosenberg’s character is unforgettable
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The humor comes from timing, not exaggeration
For fans collecting Jerky Boys merchandise, this skit is another essential addition.
Perfect For
This prank call is perfect for:
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Fans of classic comedy albums
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Collectors of comedy collectibles
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Listeners who enjoy subtle, character-driven humor
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Anyone exploring custom prank calls
Whether you’re new to Sol Rosenberg or a longtime fan, this skit delivers a unique listening experience.
A Piece of Comedy History
The Jerky Boys helped redefine comedy with nothing more than a phone and bold creativity. Their prank calls became iconic, influencing generations of entertainers.
“Flower Lady 1” reflects that era perfectly. It’s raw, unpolished, and driven entirely by character. That authenticity is what keeps fans coming back.
Owning or revisiting this skit means adding another piece of classic comedy history to your collection.

